On The Trail - Working as a Videographer for the EU
It was an action packed few days on the road working as a video following the press tour to promote the Cashew Value Chain in Cambodia for the European Union.
The press tour kicked off with a launch event at the Phnom Penh, before moving on to Kampong Thom, Kratie and Stung Treng.
The aim of the tour was to look at the available processing facilities, promote the value chain and to ultimately improve exports direct to Europe.
Our job was to get out front of the media scrum to film interviews and b-roll of the processing plants and cashew farms and then to film the press tour when all the journalists rolled in.
Journalists from over 30 media agencies attended the tour.
Supported by the EU and GIZ, the tour was led by H.E. Im Rachna, spokesperson of the Ministry of Agriculture, Forestry and Fisheries.
H.E. Im Rachana explained the reason for the press tour. ‘Our goal is to provide news coverage to Cambodians to promote the cashew nut value chain in Cambodia,’ she said.
Bryan Fornari, Head of Cooperaton at the European Delegation to Cambodia, spoke about the need potential benefits of promoting the cashew value chain.
‘The connection opportunities are there between one of the countries that produces most cashew nuts in the world and the largest market for cashew nuts,’ he said.
Bryan also spoke about the potential of expanding the cashew value chain in Cambodia.
‘The processing parts of the value chain is not here in Cambodia, and there’s a lot of potential to bring it to Cambodia,’ he said.
Over 95% of Cambodian cashews are exported raw and unprocessed.
Gunther Wessel, a GIZ programme manager and a cashew expert, also joined the tour.
‘There is more and more interest in Cambodia, but Cambodians, to start processing,’ he said.
If the cashew producers can adhere to EU standards it will give them access to the biggest market in the world.
Hopefully we see more investment in the cashew sector in Cambodia and growth in the number of direct sales to the EU.
You can see more my work with the EU here and read more of my blog posts here.
On Location as a Lighting Camera Operator and Sound Recordist for the European Union
With very short notice, I was called upon to work for the EU as a lighting camera operator and sound recordist on The Third Global Conference on Assistance to the Victims of Anti-Personnel Mines and Other Explosive Ordnance in a Disability Rights Context.
This was second job of part of a very productive relationship working as the lead videographer with Landel Mills to provide a range of video content for the EU delegation in Cambodia.
I lit the interviews with 2 x Aputure Storm 300D mkii LEDs and ran a Sony a7iv and a7siii to give us 2 angles. I was also using 3 x Sennheiser radio mics with a combination of the Sony XLR-K3M Dual-Channel Digital XLR Audio Adapter Kit and a Zoom h4n Pro sound recorder to give me 3 channels when interviewing 2 people.
Below are some of the behind-the-scenes images, kindly provided by Nick Sells who was covering the event as a photographer. Nick Ray was also interviewing people. It was great to work with Nick again, who as ever, came fully-prepared with engaging questions.
The event was presided over by H.E. Ly Thuch, First Vice President of the Cambodia Mine Action and Victim Assistance Authority, H.E igor Driesmans, the EU Ambassador to Cambodia and H.R.H Prince Mired Raad Zeid Al Hussein of Jordan.
Funded by the EU and hosted by the Cambodia Mine Action and Victim Assistance Authority (CMAA) the conference promoted the end of suffering and new casualties caused by anti-personnel mines.
The video was well received and the EU commissioned a shorter version to be distributed on their social media channels.
In Novermber 2024, Cambodia will host the world host the Convention's Fifth Review Conference in Siem Reap, Cambodia from 25 to 29 November 2024.
You can see more examples of my work as a lighting camera operator here and here.
On assignment as an NGO videographer for UNICEF in Stung Treng
I’d worked as an NGO videographer on a Generation Future video for UNICEF a couple of years ago, so it’s always good to get the call to come back and make a follow up video to show how the programme has progressed / evolved.
We filmed the last video in Siem Reap Province. This time the location was Stung Treng Province with a focus on female empowerment and getting more girls involved in STEM subjects (Science, technology, engineering, and mathematics.
This area where girls are underrepresented. They can also face barriers when trying to study STEM subjects.
Four Generation Future projects, Code for Girls, Cyclo Day, Meakea and RULErs, ran workshops to recruit and train 48 student volunteers from 4 schools in Stung Treng Province. All the groups featured female trainers and female student volunteers.
‘Code For Girls is a project that encourages girls to learn about coding and engineering,
which are both STEM subjects,’ says Sereny, the Code for Girls project leader.
‘We want them to use coding and 3D printing to come up with solutions to solve everyday problems,’ she adds.
‘I really enjoyed learning how to draw 2D and 3D models. I’ve never done this before,’ says Sovy, one of the student volunteers.
‘I've learnt a lot of new skills and gained a lot of new knowledge,’ she adds.
‘I’d like to see all Cambodian girls being confident and assured in the decisions they make,’ she concludes, which is a sentiment we can all agree with.
It was great working with the future generation of trainers and volunteers. Living in a country with such a young demographic, it’s essential that the younger generation, especially girls, learn leaderships skills and demand a voice in the decision-making process.
You can see the last video I made for Genreation Future here and more examples of my NGO videography work here.
Please don’t hesitate to get in touch if you have an NGO videography you would like to discuss.
Working as a Lighting Camera Operator on a Corporate Shoot for Advertainment Media
Jordan, the head of production for Advertainment Media, got in touch with me through my website about working as a lighting camera operator and recording sound for a series of corporate interviews they wanted to shoot for FFNews Show, which they produce.
It was great working with a production company with a clear vision of what they wanted to achieve. The process was straightforward: I was provided with a sample video and we discussed the technical requirements of the shoot and the equipment needed.
Taylor, the producer, did a great job of providing call sheets and securing the locations, which allowed my team to fully focus on our job.
We filmed the interviews at some of the leading financial institutions in Cambodia. The scheduling gave us time to arrive in advance to prepare the locations and set up lighting, cameras and sound before the talent arrived.
We went with a 3 camera set up (1x Sony a7siii and 2x Sony a7ivs), to give us a wide and a close up of both Douglas, the presenter. and the interviewee, 2 x Aputure LS 300D II lights and a radio mic each, with a backup in case there were any interviews with 2 people at the same time.
Below are a few behind the scenes photos Taylor kindly took:
Below are 2 more episodes Advertainment Media edited from the shoot. They were happy with the final results. It’s always good to see the final product when someone else has done a good job with the edit.
You can see more examples of my work as a lighting camera operator here.
On Location - Taking Commercial Drone Interior and Exterior Photos for Endo Lighting
During pre-production on a corporate video for Endo Lighting to show their lighting installation at AEON 3, the client requested some drone photography to use on their website.
While Simon Toffanello was doing the photography for them, it made sense for me to take the drone photographs as I would be operating a drone for video I was shooting.
Endo Lighting requested a series of exterior and interior drone shots to show the building and their lighting installation.
The exterior drone photographs were taken with a Mavic 2 Pro. They were taken at dusk so the photo gives the impression of it being dark will retaining detail in the background and reducing the noise due to there still being a bit of ambient light.
Due to the height restriction on the Mavic 2 Pro, I hired a Mini 3 Pro, which is a lighter drone that is better designed to fly indoors.
You can see the corporate corporate video I made for them here and check out other examples of my drone photography here. As predominantly a videographer, I mainly use the drone to shoot video and take photographs as an afterthought. It would be great to make more of an effort to explore the creative potential of drone photography.